It worked even in tricky environments with lots of subjects or movement, though it turns off once you hit the focus button and start shooting. From there, the face, eye or subject tracking would kick in as needed to track the subject. Even if the eye control circle wasn’t quite on a subject, the autofocus would usually select it if it was close. Once it was calibrated, I could select an object to focus on just by looking at it. Luckily, you can save up to six different settings. You might need to calibrate it multiple times depending on whether you’re wearing glasses and contacts, or even for different environments. It’s only really useful if you calibrate it, but luckily that’s easy to do – you just stare at five dots. Now, let’s talk about Canon’s new eye control feature. It also comes with USB-C for data transfers and in-camera charging, though you’ll need another optional accessory if you want to power the camera externally while you shoot. The fiddly micro-HDMI port is not ideal for video shooters, and it’s an odd decision considering Canon had space with the R3’s big body. That finally matches what Sony and Panasonic have offered for years now. It has a new hotshoe interface that supports Speedlite and other flashes along with accessories like Tascam’s new XLR 4-channel microphone interface. ![]() Since this is mostly a pro camera, Canon should have offered dual slots for both like Sony does, or perhaps two CFexpress slots. However, if you want to back up the CFexpress card with SD, it’s going to slow performance. ![]() It’s nice to have the SD option if you prefer to shoot with those cards. Depending on how you shoot, you may easily be able to exceed those figures, however.įor storage, you get one fast CFexpress type B and one SD UHS II slot. It uses the same huge LP-E19 battery from the 1DX Mark III that delivers up to 620 shots on a charge or about two and a quarter hours of 4K 30p video shooting. It doesn’t stack up on paper to the 9.4-million dot, 240Hz EVF found on the A1, but I couldn’t see much difference between them, to be honest. The 5.76-million dot OLED EVF is similarly sharp and offers a smooth 120 Hz refresh rate. The display also flips out for low-angle shooting or vlogging, though the R3 is a bit heavy for the latter. ![]() For scrolling through menus, browsing photos and more, it’s extremely responsive – much more so than Sony’s A1 or any other camera I’ve tried for that matter. The big 3.2-inch touch display has a crisp 4.15-million dot resolution, nearly double that of the R5. That makes it quick to get to a setting, once you figure out where it is. You can control it in a variety of ways, though, using the dials, joystick or touchscreen. ![]() However, it uses the same old Canon menus, which aren’t quite as intuitive as on the latest models from Sony, Nikon and Panasonic. That lets you set the focus point just by sliding your thumb over it – faster than a joystick, but easier to activate inadvertently until you get used to it.Ī dedicated button lets you switch easily between photo and video modes, while giving you separate settings and menus for each mode. The control layout is similar to the 1DX Mark III and uses the same infrared control button. The R3 also packs plenty of dials and buttons so that you can operate the camera without diving into the menus, for the most part. That gives a feeling of security when you’re holding it, and it handles great even with big telephoto lenses like Canon’s RF 70-200mm f/2.8. The 1DX Mark III, by contrast, tips the scales at 3.17 pounds, while the EOS R5 is 1.6 pounds.Īs you’d hope for a big camera, it has a big grip. Much like the 1DX Mark III that inspired it, it has dual controls for both landscape and portrait shooting modes, including a matching shutter button, dials and joystick.ĭespite the big body, the EOS R3 is relatively light at 2.3 pounds including a battery and memory card. The first thing you’ll notice on the R3 is the big camera grip body that makes it look like a DSLR and mirrorless camera mashup.
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